Monday - Friday 9:00AM - 5:30PM
Saturday - Sunday Closed
Everything Audio Ltd 7A, Elstree Film Studios Shenley Road Borehamwood Hertfordshire WD6 1JG
We stock a wide variety of mixer / recorders to suit any senario you may have out in the field, on-set or even at home! These products include audio recorders & mixers, fader panels, preamps and portable mixers.
Mixer / Recorders come in different sizes and configurations, from small handheld devices with a one or two channels, to sound bag-sized larger units with dozens of channels and some pretty advanced features.
These products are designed to be portable and easy to use, allowing sound professionals to capture and mix high-quality audio recordings on location with ease. They often include features such as timecode functionality, auto-mixing, 32bit float, and advanced routing options to provide maximum flexibility and control.
We offer a variety of different types of microphones, each with it's own unique characteristics and uses.
Shotgun microphones are commonly used for capturing dialogue, mounted on a boom-pole or a camera, while lavalier microphones are often used for their discreet size, making them great for hiding on talent, while still providing fantastic vocal clarity. Handheld microphones are useful for live performances and interviews, while boundary microphones can capture sound in larger spaces, such as conference rooms or in-car conversations.
Various microphone accessories can help with the environmental and acoustic issues while on location. We provide a wide array of wind protection and microphone suspensions to eliminate unwanted noise, allowing sound professionals to capture clear and quality audio that is critical to the success of any production.
Consumables are widely used in the film and TV industry, and are often overlooked, but are crucial for ensuring the smooth running of productions and the delivery of high-quality audio. Consumables are key items to minimise dialog replacement in post-production.
Tapes and adhesives are used to secure microphones and cables to actors and equipment. Straps and pouches to comfortably and safely mount wireless transmitters, while stickies provide a secure, invisible attachment for lavalier microphones. Noise dampening products help to reduce unwanted set noise such as footsteps, while cleaning and sanitation products keep equipment clean and hygienic. Finally, lavalier mounting and wind reduction solutions are used to minimize wind noise and keep lavalier microphones securely in place, and hidden.
Timecode solutions are a way to stay in sync. These products include timecode generators, sync boxes, slates, receivers, and purpose made cables that interface these products between cameras, wireless systems and recorders / mixers.
Timecode is a signal that assigns a unique time reference to each frame of video and audio, allowing for precise synchronization during post-production.
Timecode generators and slates are often used at the beginning of each take to ensure that all devices are in sync, while timecode receivers allow for wireless synchronisation of devices. Timecode equipment is also useful for post-production workflows, where it is used to synchronise footage from multiple cameras and audio recordings.
We stock a wide variety of powering solutions that are essential to the sound department for the film and TV industry. These products include rechargeable batteries, battery chargers, power supplies, and power distribution systems.
Soundies rely on these products to power their equipment, such as wireless systems, portable recorders, and mixers. High-quality batteries and power management systems ensure that sound professionals have a consistent and reliable power source throughout long shoots, allowing them to capture clear and uninterrupted audio.
With advancements in technology, many products in this category are now lighter and longer-lasting and even more environmentally friendly, thanks to higher capacity and rechargeable batteries.
1 x SmartView 4K1 x Welcome wallet w/ QR
code for software download
SmartView 4K is the world’s first full resolution rack mount Ultra HD broadcast monitor with 12G-SDI for native display of up to 2160p60. You get a professional broadcast monitor that supports the latest Ultra HD resolutions, plus automatically switches to SD and HD-SDI formats using high quality Teranex processing for a clean and professional display. The machined metal design includes a built in control panel for using features such as the built in 3D LUTs, H/V delay, blue only, zoom, focus peaking, customizable frame markers and more, either from the front panel or via external Ethernet! SmartView 4K supports VESA mounting so you can install on articulated monitor arms or rack mounting.
SmartView 4K is an incredibly high quality monitor that’s versatile enough to be used from the largest broadcast facility, mobile live production or on set for feature film production! SmartView 4K works with all SD, HD and Ultra HD video formats and includes both universal AC power as well as 12V DC power inputs so you can use it with a battery or plug it into standard AC mains power. The 6 rack unit sized design and VESA compatibility means it can be installed in racks, outside broadcast vehicles or even mounted on walls and on articulated arms! SmartView 4K is the perfect professional monitor for any broadcast facility, mobile broadcast truck, or even on location fly away kits!
SmartView 4K has a stunning machined metal front panel and a sleek rack mount design with backlit buttons for easy access to all controls! It fits perfectly into standard 19” racks and also has VESA mount points on the back. The professional broadcast connections are side mounted, which makes SmartView 4K thinner so it can be installed in tight locations. Standard 12G-SDI BNC connectors mean the cables won’t fall out from vibrations when used in a broadcast truck. With both DC and AC power you get the flexibility of both portable or studio use. When you want to align more than a single monitor or you need remote setup, SmartView 4K can also be controlled via Ethernet.
Now you can install the perfect future proof monitoring solution because SmartView 4K will handle monitoring from all your SD, HD-SDI, 3G-SDI, 6G-SDI and 12G-SDI sources. The SDI inputs automatically detect the input video standard and re-clock instantly. The full resolution Ultra HD monitor allows you to see every single pixel in a 3,840 x 2,160 resolution SDI input, even when running at a faster 60p frame rate! The fast frame rate support is perfect for fast motion such as sports, plus you get a totally future proof design!
SmartView 4K delivers amazing picture quality in an incredibly thin lightweight design. The super bright LCD screen looks great from any viewing angle and, because the controls are all digital, your settings won’t change or drift over time. You can even load custom 3D LUTs for monitor calibration and on set viewing! When monitoring SD or HD signals, the built in Teranex processor uses advanced patented and proprietary PixelMotion™ algorithms to automatically de-interlace and scale video up to Ultra HD resolution. That means you get visually transparent, artifact free scaling for the best quality possible and a fluid smooth viewing experience!
When you’re in the middle of a job you can’t be fumbling with controls to change settings on your monitor. SmartView 4K gives you both easy front panel control or remote control from a Mac or PC connected over Ethernet. The backlit front panel buttons make them easy to use in dimly lit studio or location environments. The front panel lets you set input selection, adjust brightness, view focus peaking, zoom into the image, select 3D LUTS and use advanced broadcast features such as H/V delay, blue only and frame guides. SmartView 4K comes with Mac and PC software so you can connect via Ethernet and change all settings remotely, which is ideal for large broadcast studios and post houses!
SmartView 4K includes features that let you monitor all technical aspects of your images. With the H/V delay feature, you can shift the image to the left and down selectively or at the same time, so you can monitor data and information in the SDI blanking. Now it’s easy to keep track of normally hidden information such as embedded audio data, subtitles, VITC and other information stored off the edges of the SDI image. The blue only feature lets you check hue and image noise. Professional 3D LUTs are supported so you can change between log and linear gamma, or load monitor calibration LUTs, and when aligning elements, the customizable frame guides are ideal!
SmartView 4K includes two multi rate 12G-SDI inputs so you can select between 2 different sources at the push of a button! 12G-SDI is the latest and most advanced SDI connection available and is compatible with all your SDI equipment ranging from SD and HD all the way up to Ultra HD 2160p60! With fast switching, changing formats is nearly instantaneous. There is also a SMPTE compatible optical fiber SDI socket so you can add an optical fiber SDI module and then connect via optical fiber direct to the monitor! You also get loop through Ethernet, AC and DC power inputs, tally input connector, USB port for software updates and loop 12G-SDI loop output.
Larger facilities and installations often need to set up multiple racks with many monitors spread around, or even walls of monitors for master control and camera monitoring. SmartView 4K makes this simple because you can connect to your Ethernet network and run the Mac or Windows software to control all your monitors. SmartView 4K has loop through Ethernet so you don’t need to use expensive Ethernet switches and you get the speed to upload 3D LUTs quickly. You can even copy and paste settings between monitors to make matching displays and setup fast. With network control, you’ll never have to climb on desks or studio consoles to adjust your monitors again!
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We have an extensive inventory of audio equipment for hire with competitive rates ready at a moment's notice. We pay the most meticulous attention to detail in our hire prep so you can travel to shoots with the peace of mind that you have everything you need.
For weekly rental, you can pick up your gear the day before your production shoot after 3:00pm, and return by 10:00am after your shoot day. In the case of 7 day rental, you will only be charged for 4 billing days.
If shipping is required, we require a two day minimum hire period, with a travel day inbetween.
Orders can be cancelled for free up to 24 hours before pick up date, any notice within 24 hours of the pick up date will be charged a prep fee of 25% of the total amount.
Customers will provide a certificate of insurance listing Everything Audio as "loss payee" and "additional insured".
