Monday - Friday 9:00AM - 5:30PM
Saturday - Sunday Closed
Everything Audio Ltd 7A, Elstree Film Studios Shenley Road Borehamwood Hertfordshire WD6 1JG
We stock a wide variety of mixer / recorders to suit any senario you may have out in the field, on-set or even at home! These products include audio recorders & mixers, fader panels, preamps and portable mixers.
Mixer / Recorders come in different sizes and configurations, from small handheld devices with a one or two channels, to sound bag-sized larger units with dozens of channels and some pretty advanced features.
These products are designed to be portable and easy to use, allowing sound professionals to capture and mix high-quality audio recordings on location with ease. They often include features such as timecode functionality, auto-mixing, 32bit float, and advanced routing options to provide maximum flexibility and control.
We offer a variety of different types of microphones, each with it's own unique characteristics and uses.
Shotgun microphones are commonly used for capturing dialogue, mounted on a boom-pole or a camera, while lavalier microphones are often used for their discreet size, making them great for hiding on talent, while still providing fantastic vocal clarity. Handheld microphones are useful for live performances and interviews, while boundary microphones can capture sound in larger spaces, such as conference rooms or in-car conversations.
Various microphone accessories can help with the environmental and acoustic issues while on location. We provide a wide array of wind protection and microphone suspensions to eliminate unwanted noise, allowing sound professionals to capture clear and quality audio that is critical to the success of any production.
Consumables are widely used in the film and TV industry, and are often overlooked, but are crucial for ensuring the smooth running of productions and the delivery of high-quality audio. Consumables are key items to minimise dialog replacement in post-production.
Tapes and adhesives are used to secure microphones and cables to actors and equipment. Straps and pouches to comfortably and safely mount wireless transmitters, while stickies provide a secure, invisible attachment for lavalier microphones. Noise dampening products help to reduce unwanted set noise such as footsteps, while cleaning and sanitation products keep equipment clean and hygienic. Finally, lavalier mounting and wind reduction solutions are used to minimize wind noise and keep lavalier microphones securely in place, and hidden.
Timecode solutions are a way to stay in sync. These products include timecode generators, sync boxes, slates, receivers, and purpose made cables that interface these products between cameras, wireless systems and recorders / mixers.
Timecode is a signal that assigns a unique time reference to each frame of video and audio, allowing for precise synchronization during post-production.
Timecode generators and slates are often used at the beginning of each take to ensure that all devices are in sync, while timecode receivers allow for wireless synchronisation of devices. Timecode equipment is also useful for post-production workflows, where it is used to synchronise footage from multiple cameras and audio recordings.
We stock a wide variety of powering solutions that are essential to the sound department for the film and TV industry. These products include rechargeable batteries, battery chargers, power supplies, and power distribution systems.
Soundies rely on these products to power their equipment, such as wireless systems, portable recorders, and mixers. High-quality batteries and power management systems ensure that sound professionals have a consistent and reliable power source throughout long shoots, allowing them to capture clear and uninterrupted audio.
With advancements in technology, many products in this category are now lighter and longer-lasting and even more environmentally friendly, thanks to higher capacity and rechargeable batteries.
1 x The Spacer Bubble mesh base1 x The Long-Haired Spacer Cover1 x Mesh storage bag
The Spacer Bubble gives you the right balance between wind-protection and audio transparency in changing conditions.
For use with shotgun microphones with an interference tube length of 155mm and a mic diameter of 18-24mm.
The Spacer Bubble, is a multi-piece adaptable windshield solution for shotgun microphones designed specifically for boom operators, camera folks, sound mixers and all sound recordists who experience changing conditions. The Spacer Bubble includes the spacer base, long-haired fur cover and a carry pouch. A short-haired fur cover is available separately if you need it.
The Spacer Bubble Shotgun microphone windshield is constructed of a noise-free mesh base, with a coarse foam inside and our specially designed rubber mount at the bottom.
The combination of the foam and the mesh provides the perfect conditions for recording indoors. And if you suddenly have to act fast and go outside, simply slip-on the long-haired fur and experience the optimal transparency within seconds.
When your recordings are wrapped, you can always keep track of your spacer bubble by leaving on the base on your boom or camera mic, and collecting the slip-on fur in the included practical mesh storage bag. That way you'll always be ready!
The materials used in The Spacer Bubble have been carefully selected and tested to ensure you are able to stay protected from the wind, whilst retaining as much of your microphones original frequency response as possible. If you're working in light to medium winds, we also have The Short-Haired Spacer Cover (sold separately) to allow you to further strike a balance between wind protection and frequency transparency.
This list is up-to-date as of 01/01/2022 and could possibly be outdated by now. If you do not see your mic listed here, please check the Bubblebee Official Size Guide for more information.
Audio Technica AT 835ST, AT 897Neumann KMR 81i, KMR 81DRØDE: NTG-1, NTG-2, NTG-4, NTG-4+Sanken: CS-2Schoeps: SuperCMIT 2Sennheiser: MKE 600Shure: VP82, VP89SSony: ECM-680S
Audio-Technica: AT 4053Audix: SCX1CDPA: 4018, 4015, 4011, 4006 (A, B or C preamps)Neumann: KM184, KM185RØDE: NT55Sanken: CS-M1, CMS-50Schoeps: CMC SeriesSennheiser: ME 62, ME 64Sennheiser: MKH 8020, MKH 8040, MKH 8050Sony: ECM-100N, ECM-100U, ECM-MS2
Sennheiser: MKH 30, MKH 40, MKH 50
Deity: S-Mic 2sJVC Camera MicSchoeps MiniCMITSony Camera Mic, ECM-673, ECM-679x
Audio-Technica: AT 877, AT 4073Deity: V-Mic D3 ProDPA: 4017B, 4017CRØDE: NTG-5Sanken: CS-1e, CSS-50Schoeps: CMIT 5Sennheiser: MKH 8060
Deity: S-Mic 2RØDE: NTG-3Sanken: CS-3e, CSR-2Sennheiser: ME 66, MKH 416
Sennheiser: MKH 60
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We have an extensive inventory of audio equipment for hire with competitive rates ready at a moment's notice. We pay the most meticulous attention to detail in our hire prep so you can travel to shoots with the peace of mind that you have everything you need.
For weekly rental, you can pick up your gear the day before your production shoot after 3:00pm, and return by 10:00am after your shoot day. In the case of 7 day rental, you will only be charged for 4 billing days.
If shipping is required, we require a two day minimum hire period, with a travel day inbetween.
Orders can be cancelled for free up to 24 hours before pick up date, any notice within 24 hours of the pick up date will be charged a prep fee of 25% of the total amount.
Customers will provide a certificate of insurance listing Everything Audio as "loss payee" and "additional insured".
