Monday - Friday 9:00AM - 5:30PM
Saturday - Sunday Closed
Everything Audio Ltd 7A, Elstree Film Studios Shenley Road Borehamwood Hertfordshire WD6 1JG
We stock a wide variety of mixer / recorders to suit any senario you may have out in the field, on-set or even at home! These products include audio recorders & mixers, fader panels, preamps and portable mixers.
Mixer / Recorders come in different sizes and configurations, from small handheld devices with a one or two channels, to sound bag-sized larger units with dozens of channels and some pretty advanced features.
These products are designed to be portable and easy to use, allowing sound professionals to capture and mix high-quality audio recordings on location with ease. They often include features such as timecode functionality, auto-mixing, 32bit float, and advanced routing options to provide maximum flexibility and control.
We offer a variety of different types of microphones, each with it's own unique characteristics and uses.
Shotgun microphones are commonly used for capturing dialogue, mounted on a boom-pole or a camera, while lavalier microphones are often used for their discreet size, making them great for hiding on talent, while still providing fantastic vocal clarity. Handheld microphones are useful for live performances and interviews, while boundary microphones can capture sound in larger spaces, such as conference rooms or in-car conversations.
Various microphone accessories can help with the environmental and acoustic issues while on location. We provide a wide array of wind protection and microphone suspensions to eliminate unwanted noise, allowing sound professionals to capture clear and quality audio that is critical to the success of any production.
Consumables are widely used in the film and TV industry, and are often overlooked, but are crucial for ensuring the smooth running of productions and the delivery of high-quality audio. Consumables are key items to minimise dialog replacement in post-production.
Tapes and adhesives are used to secure microphones and cables to actors and equipment. Straps and pouches to comfortably and safely mount wireless transmitters, while stickies provide a secure, invisible attachment for lavalier microphones. Noise dampening products help to reduce unwanted set noise such as footsteps, while cleaning and sanitation products keep equipment clean and hygienic. Finally, lavalier mounting and wind reduction solutions are used to minimize wind noise and keep lavalier microphones securely in place, and hidden.
Timecode solutions are a way to stay in sync. These products include timecode generators, sync boxes, slates, receivers, and purpose made cables that interface these products between cameras, wireless systems and recorders / mixers.
Timecode is a signal that assigns a unique time reference to each frame of video and audio, allowing for precise synchronization during post-production.
Timecode generators and slates are often used at the beginning of each take to ensure that all devices are in sync, while timecode receivers allow for wireless synchronisation of devices. Timecode equipment is also useful for post-production workflows, where it is used to synchronise footage from multiple cameras and audio recordings.
We stock a wide variety of powering solutions that are essential to the sound department for the film and TV industry. These products include rechargeable batteries, battery chargers, power supplies, and power distribution systems.
Soundies rely on these products to power their equipment, such as wireless systems, portable recorders, and mixers. High-quality batteries and power management systems ensure that sound professionals have a consistent and reliable power source throughout long shoots, allowing them to capture clear and uninterrupted audio.
With advancements in technology, many products in this category are now lighter and longer-lasting and even more environmentally friendly, thanks to higher capacity and rechargeable batteries.
With its supercardioid polar plot, the 4097 CORE Micro Shotgun Mic offers a highly-directional pick-up pattern as well as low self noise and high sensitivity. The mic is capable of handling high SPLs, which allows it to deliver undistorted natural sound, even when users speak loudly or yell. With a linear response, low distortion and an extremely large dynamic range, it sounds great no matter how challenging the environment. In addition, dialog and background noise off to the side (off-axis) of the microphone preserves the audio quality; it just drops in level.
The 4097 CORE Micro Shotgun Mic is a lightweight, easy-to-use, multi-purpose problem solver for a range of broadcasting situations – including interviewing as well as voice over work.
This mic makes it easy to deliver great sound in challenging situations. It shines in outdoor locations, handling inclement weather and limiting intrusive background noises. It’s a professional solution for professional broadcasters.
Due to the highly-directional pick-up pattern, it is easy to focus on what the interviewee is saying. While the speaker’s voice is captured clearly in front of the mic, background noises are captured at a lower level (off axis), making the entire interview clear and pleasant to listen to.
In addition, the mic has low self-noise, high sensitivity and is capable of handling high SPLs. Even if the interviewee yells, the sound will still be natural and undistorted.
With a linear response, low distortion and a large dynamic range, this mic captures amazing sound no matter how challenging the environment. In fact, the 4097 CORE Micro Shotgun Mic is outfitted to be used in difficult broadcast locations. The built-in shock mount is handy when distance interviewing.
Wind machines, rain machines, tight costumes, quick changes – these are normal situations on some film sets and they require durable microphones. The 4097 Plant Mic was built to withstand harsh use as well as water, wind, dust, heat, cold and many other tough conditions that can be commonly found both on location and on a film set.
The 4097 CORE Micro Shotgun Mic is outfitted specifically so that it can be used in difficult filming locations like a car. Its foam windscreen protects it from wind noise, even when windows are down (due to tight spaces and camera placement). The built-in shock mount is also particularly useful when filming in a moving car. It has a small, slim, unobtrusive footprint and a black matte, non-reflective surface, which diminishes reflections from lights, making it even easier on the film crew.
A swivel mechanism at the MicroDot termination of the gooseneck has been added in order to allow the right aiming of the mic directly from the transmitter. This is especially important for quick mounting in tight spaces like in a car. With the 4097 CORE Micro Shotgun Mic, a sound engineer can clip the transmitter onto the sun visor and quickly turn the mic head in the direction of the actors.
Film and television sets tend to be fast-paced, high-stress environments and working as a sound engineer requires patience, flexibility and the right tool kit. While booming is, a traditional and often used style of miking on set, often a script/set renders booming impractical, so sound engineers must turn to lavs and plant mics.
Sometimes if you need to use different types of mics on a set, it can be a challenge for post production to create a consistent sound. The 4097 CORE Micro Shotgun Mic has the same sonic character as all other DPA mics typically used on film sets, such as the 4017 Shotgun Mic that is typically used on booms as well as the 4060 and 6060 lavalier mics, often used hidden in costumes. Having microphones with similar sound characteristics regardless of their form factor and pick-up pattern, is a great advantage for the film crew, as it helps reduce the cost of producing the sound mix. The post production process is much faster and retains the original information because the sound engineer doesn't have to cover up for mics with wildly different sonic characters.
The 4097 CORE Micro Shotgun Mic uses a small-diaphragm, pre-polarized condenser capsule with a supercardioid pickup pattern mounted deep inside a small interference tube, which sits inside of a small replaceable foam windscreen.
The interference tube used increases the mic's directionality, while maintaining flat on-axis frequency response and consistent off-axis response. Increased directionality, combined with good off-axis rejection, allows the microphone to isolate what should be picked up while attenuating sounds from the sides and rear.CORE by DPA is a powerful technology at the heart of DPA's miniature microphones. We’ve minimized distortion across the entire dynamic range. You will experience increased audio clarity and openness. All CORE by DPA technology microphones, including the 4097 CORE Micro Shotgun Mic, are IP58 certified. This durability is achieved through a number of defense mechanisms:
The IP58 certification and our general production and testing processes ensure a durable product that allows the mics to work optimally in even the harshest environments.
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We have an extensive inventory of audio equipment for hire with competitive rates ready at a moment's notice. We pay the most meticulous attention to detail in our hire prep so you can travel to shoots with the peace of mind that you have everything you need.
For weekly rental, you can pick up your gear the day before your production shoot after 3:00pm, and return by 10:00am after your shoot day. In the case of 7 day rental, you will only be charged for 4 billing days.
If shipping is required, we require a two day minimum hire period, with a travel day inbetween.
Orders can be cancelled for free up to 24 hours before pick up date, any notice within 24 hours of the pick up date will be charged a prep fee of 25% of the total amount.
Customers will provide a certificate of insurance listing Everything Audio as "loss payee" and "additional insured".