Please note: We will be closed from the 23rd of December 2024. Orders placed after 3:30PM on the 20th will be shipped upon return on the 2nd of January 2025. Merry Christmas & A Happy New Year!
Please note: We will be closed from the 23rd of December 2024. Orders placed after 3:30PM on the 20th will be shipped upon return on the 2nd of January 2025. Merry Christmas & A Happy New Year!

DPA 4097 Core Micro Shotgun Gooseneck Microphone

£396.00 (£330.00 Exc. VAT)
(RRP: £444.00) You save: £48.00!
In stock now
DPA 4097 Core Micro Shotgun Gooseneck Microphone
DPA 4097 Core Micro Shotgun Gooseneck Microphone
DPA 4097 Core Micro Shotgun Gooseneck Microphone
DPA 4097 Core Micro Shotgun Gooseneck Microphone
DPA 4097 Core Micro Shotgun Gooseneck Microphone
DPA 4097 Core Micro Shotgun Gooseneck Microphone

DPA 4097 Core Micro Shotgun Gooseneck Microphone

£396.00 (£330.00 Exc. VAT)
(RRP: £444.00) You save: £48.00!
In stock now
Brand: DPA MicrophonesModel: 4097-DC-G-B00-010
+
Key Features:
  • Small footprint, lightweight and enhanced speech intelligibility
  • Built-in shock mount with flexible gooseneck
  • Resistant to moisture, extreme temperatures and humidity
  • Extensions and range of mounting options available (4099 series of clips)
See More...
S-DPA-4097-DC-G-B00
Information

DPA 4097 Core Micro Shotgun Gooseneck Microphone

With its supercardioid polar plot, the 4097 CORE Micro Shotgun Mic offers a highly-directional pick-up pattern as well as low self noise and high sensitivity. The mic is capable of handling high SPLs, which allows it to deliver undistorted natural sound, even when users speak loudly or yell. With a linear response, low distortion and an extremely large dynamic range, it sounds great no matter how challenging the environment. In addition, dialog and background noise off to the side (off-axis) of the microphone preserves the audio quality; it just drops in level.

A flexible broadcast solution for challenging times

The 4097 CORE Micro Shotgun Mic is a lightweight, easy-to-use, multi-purpose problem solver for a range of broadcasting situations – including interviewing as well as voice over work.

This mic makes it easy to deliver great sound in challenging situations. It shines in outdoor locations, handling inclement weather and limiting intrusive background noises. It’s a professional solution for professional broadcasters.

Due to the highly-directional pick-up pattern, it is easy to focus on what the interviewee is saying. While the speaker’s voice is captured clearly in front of the mic, background noises are captured at a lower level (off axis), making the entire interview clear and pleasant to listen to.

In addition, the mic has low self-noise, high sensitivity and is capable of handling high SPLs. Even if the interviewee yells, the sound will still be natural and undistorted.

With a linear response, low distortion and a large dynamic range, this mic captures amazing sound no matter how challenging the environment. In fact, the 4097 CORE Micro Shotgun Mic is outfitted to be used in difficult broadcast locations. The built-in shock mount is handy when distance interviewing.

Rugged enough for film sets

Wind machines, rain machines, tight costumes, quick changes – these are normal situations on some film sets and they require durable microphones. The 4097 Plant Mic was built to withstand harsh use as well as water, wind, dust, heat, cold and many other tough conditions that can be commonly found both on location and on a film set.

The 4097 CORE Micro Shotgun Mic is outfitted specifically so that it can be used in difficult filming locations like a car. Its foam windscreen protects it from wind noise, even when windows are down (due to tight spaces and camera placement). The built-in shock mount is also particularly useful when filming in a moving car. It has a small, slim, unobtrusive footprint and a black matte, non-reflective surface, which diminishes reflections from lights, making it even easier on the film crew.

A swivel mechanism at the MicroDot termination of the gooseneck has been added in order to allow the right aiming of the mic directly from the transmitter. This is especially important for quick mounting in tight spaces like in a car. With the 4097 CORE Micro Shotgun Mic, a sound engineer can clip the transmitter onto the sun visor and quickly turn the mic head in the direction of the actors.

Film and television sets tend to be fast-paced, high-stress environments and working as a sound engineer requires patience, flexibility and the right tool kit. While booming is, a traditional and often used style of miking on set, often a script/set renders booming impractical, so sound engineers must turn to lavs and plant mics.

Sometimes if you need to use different types of mics on a set, it can be a challenge for post production to create a consistent sound. The 4097 CORE Micro Shotgun Mic has the same sonic character as all other DPA mics typically used on film sets, such as the 4017 Shotgun Mic that is typically used on booms as well as the 4060 and 6060 lavalier mics, often used hidden in costumes. Having microphones with similar sound characteristics regardless of their form factor and pick-up pattern, is a great advantage for the film crew, as it helps reduce the cost of producing the sound mix. The post production process is much faster and retains the original information because the sound engineer doesn't have to cover up for mics with wildly different sonic characters.

Interference tube and CORE by DPA technology

The 4097 CORE Micro Shotgun Mic uses a small-diaphragm, pre-polarized condenser capsule with a supercardioid pickup pattern mounted deep inside a small interference tube, which sits inside of a small replaceable foam windscreen.

The interference tube used increases the mic's directionality, while maintaining flat on-axis frequency response and consistent off-axis response. Increased directionality, combined with good off-axis rejection, allows the microphone to isolate what should be picked up while attenuating sounds from the sides and rear.
CORE by DPA is a powerful technology at the heart of DPA's miniature microphones. We’ve minimized distortion across the entire dynamic range. You will experience increased audio clarity and openness. All CORE by DPA technology microphones, including the 4097 CORE Micro Shotgun Mic, are IP58 certified. This durability is achieved through a number of defense mechanisms:

  • Water-repellant nano-coating of the cover and housing
  • Hermetic sealing of the sensitive amplifier at the core of the mic
  • Dual gold plating of the diaphragm

The IP58 certification and our general production and testing processes ensure a durable product that allows the mics to work optimally in even the harshest environments.

Specifications

Specifications

Directional pattern Supercardioid
Principle of operation Pressure gradient
Cartridge type Pre-polarized condenser
Frequency response 20 Hz - 20 kHz
Effective frequency range ±2 dB, at 20 cm (7.9 in) 80 Hz - 15 kHz with 2 dB soft boost at 10-12 kHz
Sensitivity, nominal, ±3 dB at 1 kHz 16 mV/Pa; -36 dB re. 1 V/Pa
Equivalent noise level, A-weighted Typ. 23 dB(A) re. 20 µPa (max. 26 dB(A))
Equivalent noise level, ITU-R BS.468-4 Typ. 35 dB (max. 38 dB)
Distortion, THD < 1% 130 dB SPL RMS, 133 dB SPL peak
Dynamic range Typ. 110 dB
Max. SPL, THD 10% 135 dB SPL peak
Rated output impedance From MicroDot: 30 - 40 Ω. From DAD4099-BC XLR Adapter: 100 Ω
Cable drive capability Up to 300 m (984 ft) with DAD4099-BC XLR Adapter
Common mode rejection ratio (CMRR) > 60 dB from 50 Hz to 15 kHz with DAD4099-BC XLR Adapter
Power supply (for full performance) For wireless systems: Min. 5 V - max. 10 V through DPA adapter
With DAD6001-BC: P48 (Phantom Power). Will work from 12 V
Current consumption Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR Adapter
Connector MicroDot
Color Black
Weight 10 g (0.35 oz)
Microphone length 10.4 cm (4 in)
Temperature range -40°C to 45°C (-40°F to 113°F)
Relative humidity (RH) Up to 90%

Frequency Response

Polar Pattern

Reviews (0)

Be the first to Write a Review for this item!

Hire

Hire Equipment

We have an extensive inventory of audio equipment for hire with competitive rates ready at a moment's notice. We pay the most meticulous attention to detail in our hire prep so you can travel to shoots with the peace of mind that you have everything you need.

Weekly Rental

For weekly rental, you can pick up your gear the day before your production shoot after 3:00pm, and return by 10:00am after your shoot day. In the case of 7 day rental, you will only be charged for 4 billing days.

Shipping

If shipping is required, we require a two day minimum hire period, with a travel day inbetween.

Cancellations

Orders can be cancelled for free up to 24 hours before pick up date, any notice within 24 hours of the pick up date will be charged a prep fee of 25% of the total amount.

Insurance

Customers will provide a certificate of insurance listing Everything Audio as "loss payee" and "additional insured".

*
*
Existing Customer
*
*
Please provide your contact telephone number.
*
Please provide the name and model of the product(s) you are enquiring about hiring.
*
What is the date range that you are looking to hire this/these product(s) for?
*
Please add the two numbers