Monday - Friday 9:00AM - 5:30PM
Saturday - Sunday Closed
Everything Audio Ltd 7A, Elstree Film Studios Shenley Road Borehamwood Hertfordshire WD6 1JG
We stock a wide variety of mixer / recorders to suit any senario you may have out in the field, on-set or even at home! These products include audio recorders & mixers, fader panels, preamps and portable mixers.
Mixer / Recorders come in different sizes and configurations, from small handheld devices with a one or two channels, to sound bag-sized larger units with dozens of channels and some pretty advanced features.
These products are designed to be portable and easy to use, allowing sound professionals to capture and mix high-quality audio recordings on location with ease. They often include features such as timecode functionality, auto-mixing, 32bit float, and advanced routing options to provide maximum flexibility and control.
We offer a variety of different types of microphones, each with it's own unique characteristics and uses.
Shotgun microphones are commonly used for capturing dialogue, mounted on a boom-pole or a camera, while lavalier microphones are often used for their discreet size, making them great for hiding on talent, while still providing fantastic vocal clarity. Handheld microphones are useful for live performances and interviews, while boundary microphones can capture sound in larger spaces, such as conference rooms or in-car conversations.
Various microphone accessories can help with the environmental and acoustic issues while on location. We provide a wide array of wind protection and microphone suspensions to eliminate unwanted noise, allowing sound professionals to capture clear and quality audio that is critical to the success of any production.
Consumables are widely used in the film and TV industry, and are often overlooked, but are crucial for ensuring the smooth running of productions and the delivery of high-quality audio. Consumables are key items to minimise dialog replacement in post-production.
Tapes and adhesives are used to secure microphones and cables to actors and equipment. Straps and pouches to comfortably and safely mount wireless transmitters, while stickies provide a secure, invisible attachment for lavalier microphones. Noise dampening products help to reduce unwanted set noise such as footsteps, while cleaning and sanitation products keep equipment clean and hygienic. Finally, lavalier mounting and wind reduction solutions are used to minimize wind noise and keep lavalier microphones securely in place, and hidden.
Timecode solutions are a way to stay in sync. These products include timecode generators, sync boxes, slates, receivers, and purpose made cables that interface these products between cameras, wireless systems and recorders / mixers.
Timecode is a signal that assigns a unique time reference to each frame of video and audio, allowing for precise synchronization during post-production.
Timecode generators and slates are often used at the beginning of each take to ensure that all devices are in sync, while timecode receivers allow for wireless synchronisation of devices. Timecode equipment is also useful for post-production workflows, where it is used to synchronise footage from multiple cameras and audio recordings.
We stock a wide variety of powering solutions that are essential to the sound department for the film and TV industry. These products include rechargeable batteries, battery chargers, power supplies, and power distribution systems.
Soundies rely on these products to power their equipment, such as wireless systems, portable recorders, and mixers. High-quality batteries and power management systems ensure that sound professionals have a consistent and reliable power source throughout long shoots, allowing them to capture clear and uninterrupted audio.
With advancements in technology, many products in this category are now lighter and longer-lasting and even more environmentally friendly, thanks to higher capacity and rechargeable batteries.
The URX50 is a UHF IFB audio receiver. It’s designed to give you the cleanest sounding IFB audio you’ve ever heard. Perfect for critical listening on location, everyone on set will hear the difference!
Its rugged construction with nylon-filled material gives the case resistance to shock and pressure with the additional feature of being corrosion resistant. The case is also easy to clean and disinfect for the safety of everyone.
A web-based remote control GUI can wirelessly set up and control the URX50s and URX100s. To use it, all you’ll need is a Zaxcom GUI Bridge connected to a TRXCL4. It’s extremely intuitive and can be used on any device with a web browser on it, you just type in the IP address and you’re good to go! The GUI controls things like naming your units and setting up channels that can be monitored by a URX. For example, you can let your script supervisor only listen to your cart mix, but you can allow the director to toggle between each of the talent mics and your mix if you want to. You have full control without ever having to be near to or touch the receiver once handed off.
The URX50 was designed to work with the Zaxcom TRXCL4 transmitter for full functionality, but it’s compatible with any Zaxcom Digital Recording Wireless transmitter. The UHF diversity receiver utilizes a tunable tracking front-end filter to combat interference and extend range. Digital dropout protection ensures excellent range and audio fidelity. Two built-in diversity antennas provide additional dropout resistance. Operating distances can easily exceed 500 feet (152 m).
URX50 can take advantage of IFB voting, where it automatically selects reception from up to 3 separate transmitters spaced apart in a larger coverage area than can normally be obtained with reception from a single transmitter.Monitoring Options
The URX50 has a mono headphone output and receives mono and stereo signals. Each unit can be remote programmed for individual users to monitor selected audio at the control of the sound department.
A high fidelity speaker on the rear of the unit for applications where monitoring without headphones is necessary. The unit can be programed so the speaker function can be enabled or disabled if the headphone is plugged in or removed. If this makes you nervous the function can be disabled so the users can’t activate it.
The high SPL output headphone driver is ideal for noisy locations and it can drive headphones with as low as 16 ohms of impedance. Volume can be adjusted using the front push buttons or with the URX1 Lanyard.
The optional URXL1 Lanyard can be used with the URX50 for adjusting volume control. Any headphones with a 3.5mm jack can be plugged into the URXL1 Lanyard.
Have you ever had a crew member accidentally misplace their IFB receiver? We had a hunch this had happened. With ‘IFB Finder’ a loud audible locator sound can be played on the built-in speaker so you’ll be able to easily locate it at the end of the day, saving hours of time on set over the course of a production.
Up to six frames of programmable delay allow for proper synchronization of sound and picture while viewing video monitors on set.
Powering the URX50 with NiMh rechargeable batteries will get you approximately 10 hours of run time, and when the day is finished you can drop the units directly into an optional dual-bay drop-in charger. 3 x AA lithium batteries will power the URX50 for up to 11 hours and 3 x AA alkaline batteries will power the unit for approximately 7 hours.
The URX50 can be ordered in one of two configurations:
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We have an extensive inventory of audio equipment for hire with competitive rates ready at a moment's notice. We pay the most meticulous attention to detail in our hire prep so you can travel to shoots with the peace of mind that you have everything you need.
For weekly rental, you can pick up your gear the day before your production shoot after 3:00pm, and return by 10:00am after your shoot day. In the case of 7 day rental, you will only be charged for 4 billing days.
If shipping is required, we require a two day minimum hire period, with a travel day inbetween.
Orders can be cancelled for free up to 24 hours before pick up date, any notice within 24 hours of the pick up date will be charged a prep fee of 25% of the total amount.
Customers will provide a certificate of insurance listing Everything Audio as "loss payee" and "additional insured".
