Monday - Friday 9:00AM - 5:30PM
Saturday - Sunday Closed
Everything Audio Ltd 7A, Elstree Film Studios Shenley Road Borehamwood Hertfordshire WD6 1JG
We stock a wide variety of mixer / recorders to suit any senario you may have out in the field, on-set or even at home! These products include audio recorders & mixers, fader panels, preamps and portable mixers.
Mixer / Recorders come in different sizes and configurations, from small handheld devices with a one or two channels, to sound bag-sized larger units with dozens of channels and some pretty advanced features.
These products are designed to be portable and easy to use, allowing sound professionals to capture and mix high-quality audio recordings on location with ease. They often include features such as timecode functionality, auto-mixing, 32bit float, and advanced routing options to provide maximum flexibility and control.
We offer a variety of different types of microphones, each with it's own unique characteristics and uses.
Shotgun microphones are commonly used for capturing dialogue, mounted on a boom-pole or a camera, while lavalier microphones are often used for their discreet size, making them great for hiding on talent, while still providing fantastic vocal clarity. Handheld microphones are useful for live performances and interviews, while boundary microphones can capture sound in larger spaces, such as conference rooms or in-car conversations.
Various microphone accessories can help with the environmental and acoustic issues while on location. We provide a wide array of wind protection and microphone suspensions to eliminate unwanted noise, allowing sound professionals to capture clear and quality audio that is critical to the success of any production.
Consumables are widely used in the film and TV industry, and are often overlooked, but are crucial for ensuring the smooth running of productions and the delivery of high-quality audio. Consumables are key items to minimise dialog replacement in post-production.
Tapes and adhesives are used to secure microphones and cables to actors and equipment. Straps and pouches to comfortably and safely mount wireless transmitters, while stickies provide a secure, invisible attachment for lavalier microphones. Noise dampening products help to reduce unwanted set noise such as footsteps, while cleaning and sanitation products keep equipment clean and hygienic. Finally, lavalier mounting and wind reduction solutions are used to minimize wind noise and keep lavalier microphones securely in place, and hidden.
Timecode solutions are a way to stay in sync. These products include timecode generators, sync boxes, slates, receivers, and purpose made cables that interface these products between cameras, wireless systems and recorders / mixers.
Timecode is a signal that assigns a unique time reference to each frame of video and audio, allowing for precise synchronization during post-production.
Timecode generators and slates are often used at the beginning of each take to ensure that all devices are in sync, while timecode receivers allow for wireless synchronisation of devices. Timecode equipment is also useful for post-production workflows, where it is used to synchronise footage from multiple cameras and audio recordings.
We stock a wide variety of powering solutions that are essential to the sound department for the film and TV industry. These products include rechargeable batteries, battery chargers, power supplies, and power distribution systems.
Soundies rely on these products to power their equipment, such as wireless systems, portable recorders, and mixers. High-quality batteries and power management systems ensure that sound professionals have a consistent and reliable power source throughout long shoots, allowing them to capture clear and uninterrupted audio.
With advancements in technology, many products in this category are now lighter and longer-lasting and even more environmentally friendly, thanks to higher capacity and rechargeable batteries.
1 x Windbubble (Size 2)1 x Storage Tin
The Bubblebee Windbubble consists of an outer shell of the finest imitation fur and an inner core of nothing. And this 'nothing' is exactly what makes the bubble so special. The air enters the bubble for a short visit, finds it rather dull, and quickly leaves again without harming the microphone inside.
So instead of the wind hammering on the microphone and making those horrible, "I'm in the middle of a hurricane" sounds, the capsule is kept in a calm space and allowed to perform at its best.
WORLD-RENOWNED PROTECTION FROM WINDBest in the industry wind protection thanks to the bubble-effect in the design. The construction of the Windbubble holds a quiet space around the mic capsule, allowing it to perform its duties in the best way possible and delivering detailed and natural sound to your transmitter or recorder.
WINDBUBBLES WON'T FALL OFFThey are built to stay safe and secure on your Lavalier microphone, with a tight fitting opening aperture - hence the four available sizes. Read the compaibility guide to find the best fit for your mic.
CHOOSE YOUR SIZEAvailable in four different sizes for over 50 popular lavalier mics, see our compaibility guide on choosing the best fit.
CHOOSE YOUR COLOURAvailable in six different colors of high quality Bubblebee fur to make it easier to find a Windbubble for every occasion.
NATURAL SOUNDOur fur and mesh construction makes The Windbubble acoustically transparent to keep the sound very close to the microphones natural frequency response.
MULTI-PILE FURThe short, dense hair of the fur gives the Windbubble a rounded and organic shape while the longer fur slows wind down gradually for quieter wind protection.
NATURAL COLOURSThe Bubblebee fur is less shiny to blend better with skin, clothes and other surrounding materials.
QUALITY YOU CAN TRUSTDesigned in Denmark by sound lovers, for sound lovers!
The Windbubbles are specially constructed to be mounted quickly and easily on your specified type of microphones and to not fall off during use. To this end, the fit can be fairly tight around the base of the capsule. The tiny elastic wire legs make it easy to mount the Windbubbles on the Lavalier microphone, by locating the hole easily. If the lav capsule is on the larger side, you can practise mounting the Windbubble on the tapered end of a ball-point pen as this helps get a feel for it.
This list is up-to-date as of 01/01/2022 and could possibly be outdated by now. If you do not see your mic listed here, please check the Bubblebee Official Size Guide for more information.
Elastic opening circumference: 28 mm (1.10”)For Example: Countryman B6, B2D, E6Deity W.Lav, W.Lav Pro, W.Lav MicroDPA 6060 / 61Sanken COS-11 (without metal windscreen)Sennheiser MKE 1Shure Duraplex DL5Sony ECM-88, ECM-90
Elastic opening circumference: 35 mm (1.38”)For Example: Countryman B3Deity W.LavDPA 2061 / 4060 / 61 / 62 / 63, 4071LOM mikroUši, mikroUši ProRode Lavalier, Rodelink Lav, smartLav+, Lavalier GOSanken COS-11 (without metal windscreen)Sennheiser MKE 2, MKE 1 (with mesh windscreen) ME2, ME2-US (without windscreen), ME2-IIShure Twinplex TL45 / 46 / 47, Duraplex DL4Sony ECM-77, ECM-V1
Elastic opening circumference: 40 mm (1.57”)For Example: Countryman EMWDPA 2061 / 4060 / 61 / 62 / 63, 4071LOM mikroUši, mikroUši ProRode Lavalier, Rodelink Lav, smartLav+, Lavalier GOSanken COS-11 (with metal windscreen)Sennheiser MKE 2, ME2-US (without mesh windscreen)Shure Twinplex TL45 / 46 / 47 / 48Sony ECM-77, ECM-V1, ECM-44Tram TR-50
Elastic opening circumference: 42 mm (1.65”)For Example:Countryman EMWDeity V.LavDPA 4071 (with mesh windscreen DUA0572)FEL Communications Clippy EM272, EM184, EM264LOM Uši, Uši ProSanken COS-11 (with large metal windscreen)Sennheiser: MKE 2 (with mesh windscreen), ME2-II, ME 4, ME 102 & ME 104 (with mesh windscreen), ME2-US (with windscreen)Sony ECM-166, ECM-44, ECM-55Tram TR-50
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We have an extensive inventory of audio equipment for hire with competitive rates ready at a moment's notice. We pay the most meticulous attention to detail in our hire prep so you can travel to shoots with the peace of mind that you have everything you need.
For weekly rental, you can pick up your gear the day before your production shoot after 3:00pm, and return by 10:00am after your shoot day. In the case of 7 day rental, you will only be charged for 4 billing days.
If shipping is required, we require a two day minimum hire period, with a travel day inbetween.
Orders can be cancelled for free up to 24 hours before pick up date, any notice within 24 hours of the pick up date will be charged a prep fee of 25% of the total amount.
Customers will provide a certificate of insurance listing Everything Audio as "loss payee" and "additional insured".
