Monday - Friday 9:00AM - 5:30PM
Saturday - Sunday Closed
Everything Audio Ltd 7A, Elstree Film Studios Shenley Road Borehamwood Hertfordshire WD6 1JG
We stock a wide variety of mixer / recorders to suit any senario you may have out in the field, on-set or even at home! These products include audio recorders & mixers, fader panels, preamps and portable mixers.
Mixer / Recorders come in different sizes and configurations, from small handheld devices with a one or two channels, to sound bag-sized larger units with dozens of channels and some pretty advanced features.
These products are designed to be portable and easy to use, allowing sound professionals to capture and mix high-quality audio recordings on location with ease. They often include features such as timecode functionality, auto-mixing, 32bit float, and advanced routing options to provide maximum flexibility and control.
We offer a variety of different types of microphones, each with it's own unique characteristics and uses.
Shotgun microphones are commonly used for capturing dialogue, mounted on a boom-pole or a camera, while lavalier microphones are often used for their discreet size, making them great for hiding on talent, while still providing fantastic vocal clarity. Handheld microphones are useful for live performances and interviews, while boundary microphones can capture sound in larger spaces, such as conference rooms or in-car conversations.
Various microphone accessories can help with the environmental and acoustic issues while on location. We provide a wide array of wind protection and microphone suspensions to eliminate unwanted noise, allowing sound professionals to capture clear and quality audio that is critical to the success of any production.
Consumables are widely used in the film and TV industry, and are often overlooked, but are crucial for ensuring the smooth running of productions and the delivery of high-quality audio. Consumables are key items to minimise dialog replacement in post-production.
Tapes and adhesives are used to secure microphones and cables to actors and equipment. Straps and pouches to comfortably and safely mount wireless transmitters, while stickies provide a secure, invisible attachment for lavalier microphones. Noise dampening products help to reduce unwanted set noise such as footsteps, while cleaning and sanitation products keep equipment clean and hygienic. Finally, lavalier mounting and wind reduction solutions are used to minimize wind noise and keep lavalier microphones securely in place, and hidden.
Timecode solutions are a way to stay in sync. These products include timecode generators, sync boxes, slates, receivers, and purpose made cables that interface these products between cameras, wireless systems and recorders / mixers.
Timecode is a signal that assigns a unique time reference to each frame of video and audio, allowing for precise synchronization during post-production.
Timecode generators and slates are often used at the beginning of each take to ensure that all devices are in sync, while timecode receivers allow for wireless synchronisation of devices. Timecode equipment is also useful for post-production workflows, where it is used to synchronise footage from multiple cameras and audio recordings.
We stock a wide variety of powering solutions that are essential to the sound department for the film and TV industry. These products include rechargeable batteries, battery chargers, power supplies, and power distribution systems.
Soundies rely on these products to power their equipment, such as wireless systems, portable recorders, and mixers. High-quality batteries and power management systems ensure that sound professionals have a consistent and reliable power source throughout long shoots, allowing them to capture clear and uninterrupted audio.
With advancements in technology, many products in this category are now lighter and longer-lasting and even more environmentally friendly, thanks to higher capacity and rechargeable batteries.
1 x DPA 2061 Lavalier Microphone1 x Clip w/ Mic Mount1 x Mini Foam Windscreen1 x Storage Pouch
DPA have fired back with their latest in lavalier microphone technology, introducing the DPA 2061 Miniature Omnidirectional Microphone which picks up natural and lifelike sound. It is designed to accurately capture the human voice, with a high level of fidelity and intelligibility and minimal colouration. In addition to amazing speech intelligibility, the 2061 has a durable mechanical construction with good sweat-repellent and water-resistant capabilities.
Extremely durable, the 2061 boasts a resilient reinforced Kevlar cable, with flexible strain relief at both ends. This microphone is also IP57 certified for prolonged life when exposed to water, dust & makeup. Designed to perform without interruptions due to the advanced sweat-repelling capabilities, DPA have also chosen to make the 2061 a non-modular design, which is only a testament to their belief that this microphone is all you'll ever need, which reflects in the competitive price point.
DPA have also complemented the product with an eco-friendly packaging system, allowing the sales packaging to also be a storage solution. Each microphone arrives in a see-through pouch which makes it easy to identify the colour of the product and the termination type, which is reusable, resealable and best of all, recyclable.
The DPA 2061 comes with a Miniature Foam Windscreen which is the gold standard we've come to know and love from DPA. The size and construction of the foam ensures that the windscreen does not attenuate the higher frequencies, simultaneously it provides excellent protection from wind and pop noises. The size of the windscreen makes it discreet in all applications.
Also included is their new Lavalier Microphone clip, which was designed to be reliable, robust and durable, with fast and secure mounting that you can trust. The clip is designed to be rotatable by 360°, securely snapping in 90° increments with a very smooth pinch-and-twist motion, making for ultimate flexibility when miking up talent. The clip also provides a cable routing channel to reduce cable-borne noise. The clip's surfaces are designed to be non-slip, for both fingers and clothes.
The SCM0035 is available in both black and white. Besides working with 2061, the new clip is also compatible with all 6060 and 6061 models. The new clip is included with the Black and White variants and can also be bought separately. The new clip delivers on all points that are crucial in time-critical applications in a broadcast and content creation environment:
The Single Windbubble - Size 2
The Microphone Foam for Lavalier Mics - L Size
A professional miniature microphone that captures voice with high clarity and consistency.
DPA is expanding its portfolio of lavalier/lapel microphones with a value solution, intended for individuals who work with professional-level sound capture. This mic focuses on simplicity, durability and reliability in combination with the well-known natural DPA sound. 2061 is for sound engineers looking for a great-sounding, no-frills microphone with clear and authentic sound in a rugged body and at a price point that allows professionals to avoid compromising on quality when budgets are tight.
2061 is designed to provide excellent results where the voice needs to be amplified or recorded: broadcast studios and ENG, theatres, houses of worship, event venues, and, in general, various content creation situations. It is a high quality, easy-to-use, reliable and durable microphone.
Key Selling Points (Theatre)
Key Selling Points (Broadcast, events and content creation)
The sound of 2061 is natural and lifelike. It is designed to accurately capture the human voice, with a high level of fidelity and intelligibility and minimal colouration. With its omnidirectional pickup pattern, it captures sound equally well from all directions, which is beneficial in minimizing the issues related to microphone positioning and movement. The major difference in relation to competitors is that 2061 has a flat frequency curve with a soft 3 dB boost at 8 kHz – 16 kHz. It is not pre-tailored to compensate for any particular position where a lavalier microphone is normally used. With this approach, a sound engineer can achieve authentic sound from any position.
The 2061 is a pre-polarized condenser microphone. It has a new and specifically designed capsule in a 5 mm (0.2 in) housing built on existing DPA technology that has been simplified and targets the best possible performance in the effective frequency range 50 Hz – 16 kHz.
No. Although it uses some of the same elements and design principles of the 4000 Series, 2061 uses a completely new capsule construction.
Even though we have the letter L in the product ID that normally stands for Legacy, we have designed a completely new circuit. It has been inspired by the old Legacy technology in terms of THD performance, but we have modernized it to meet current requirements of compatibility with a wide range of wireless systems.
Example of the product ID:
2061-OL-C-F03
No, the applications that 2061 is aimed at allowing us to simplify the electronics and create impressive performance within a narrower scope. These mics provide a high level of performance that is necessary in broadcast studios and ENG, theatres, houses of worship, event venues, and, in general, various content creation situations. Microphones with CORE by DPA technology have advanced electronic design that allows for higher sound pressure handling capabilities, so they can be used for a wider application range and for more challenging situations. This means that the miniatures with CORE have less distortion than 2061 at all sound pressure levels.
For example, 1% THD for 4061 is 137 dB peak, and the same value for the 2061 is 128 dB peak.
2061 exhibits an accurate omnidirectional pattern and therefore does not need to be aimed directly at the sound source to achieve quality pickup. This grants sound designers the freedom to capture ideal sound regardless of microphone positioning on a subject. Designed as a versatile microphone for capturing the human voice, 2061 remains neutral to placement, allowing engineers to shape its response through EQ. For further information, please visit our Mic University: Facts about speech intelligibility https://www.dpamicrophones.com/mic-university/facts-about-speech-intelligibility
(Ref: Brixen, Eddy B.: Spectral degradation of speech captured by miniature microphones mounted on Persons’ heads and chests. AES Convention no. 100, Copenhagen, Denmark. Preprint 4284.)
2061 is an omnidirectional microphone.
The frequency response is defined between 20 Hz – 20kHz, but as with other DPA mics, we also state the Effective Frequency Range ±3 dB between 50 Hz – 16kHz with a 3dB soft boost at 8 kHz to 16 kHz. The lift at 8 kHz adds brilliance and air to the signal.
The Effective Frequency Range defines the frequency range in which the microphone does not deviate by more than a specific amount from the ideal response curve.
The cable has a diameter of 1.6 mm (0.06 in). We use the same cable type for 2061 as on our regular 4000 and 6000 Series. Since the cable is a crucial part of the microphone in many aspects, we have decided to use the cable that has proven its durability. Reinforced with Kevlar and with a long and flexible strain relief at both ends, the cable has exhibited solid resilience against physical stress.
The cable length is 1.5 m (4.9 ft). Cable length for the 4000 and 6000 Series is 1.8 m (5.9 ft). MicroDot variants can be extended with extension cables.
2061 comes in four colours: black (with clip), white (with clip), beige (mic only) and brown (mic only). For each colour, there are three connector options: 3-pin LEMO, TA4F or Mini-Jack.
No. The 2061 cap is glued on and cannot be removed or replaced. Additionally, only versions with fixed connectors are available. If the high-boost feature or the flexibility of exchanging the adaptors for various wireless systems is needed, the 4061 Miniature Microphone is an excellent alternative.
No. 2061 is made with a fixed and non-replaceable cap.
2061 has been tested against the international standard IEC 60529:2013 edition 2.2: “Degrees of protection provided by enclosures (IP Code)” resulting in an IP57 rating:
First digit: Solid particle protection = class 5 Ingress of dust does not interfere with the functionality of the microphone and will produce no permanent harmful effects.
Second digit: Liquid ingress protection = class 7 Temporary immersion in water will produce no permanent harmful effects. Note that the frequency response and sensitivity will be naturally affected by the water during submersion.
IP57 certification allows for easy cleaning of the microphone.
Our miniature microphones are built to last - and to sound their absolute best from day one and onwards. However, cleaning your mic sometimes is a good idea. Just make certain that you do itgently and follow the below steps carefully.
To clean the 2061, rinse it in demineralized water, and wipe it gently with a damp cloth. To clean these mics properly, all foam windscreens should be removed. This allows for a proper rinse and for the water to evaporate fully when drying out. No cleaning fluids should be used - you will only need demineralized water.
Afterwards, leave the microphone to dry for 72 hours (about 3 days) before reuse. Some germs die at elevated temperatures, and it is possible to leave the mics in the oven at 60°C (140° F) for an hour (please note, this will age the microphone slightly).
To disinfect the 2061, use a cloth moistened sparingly with an isopropyl alcohol and water solution* to wipe them down on their surface. This also applies to headsets, clips, booms, grids and adapters.
You can also use UV-C radiation to disinfect the 2061 microphones. If you use this solution, please use a DUA0591 Makeup Cover to protect 2061.
Please note that UVGI (ultraviolet germicidal irradiation) disinfection depends upon line-of-sight, which means that the microphone head must be otherwise disinfected by e.g., wiping it off with an isopropyl alcohol solution as described above.
*Pure isopropyl alcohol evaporates too quickly on surfaces to kill germs. By adding 20% water, its disinfectant properties will be extended for enough time to work properly.
Read more about cleaning microphones: https://www.dpamicrophones.com/mic-university/proper-mic-hygiene
The table below compares the 2061 with the following lavalier microphones:
Remember: The sound of a microphone cannot be determined solely by its specifications – it is only part of the story. In audio tests, DPA's quality will become clear, especially when compared directly with our competitors.
2061 is a great miniature microphone – a worthy competitor to the very well-known and widely used competitor models, performing on par with them on many parameters. The major difference between 2061 and many competitors is that 2061 has a flat frequency curve, which is not pre-tailored to compensate for positioning. With this approach, the sound engineer can achieve the purest authentic and uncolored sound regardless of the mic’s placement. Additionally, 2061 electronics have been optimized for consistent performance across the most popular wireless systems.
2061 is extremely durable - we did not compromise on any durability aspects compared to the rest of the DPA miniature range. Users will experience the same level of durability, reliability and repairability as for other DPA miniature microphones. The cable is reinforced with Kevlar and has a long and flexible strain relief at both ends, exhibiting solid resilience against physical stress. IP57 certification and great sweat repelling capabilities ensure that the mic stays in action during and after the performance and can be easily cleaned with water.
For a compatibility chart to compare both microphones, see our comparison tab.
Dimensions
4061 has a longer cable and slightly smaller capsule housing diameter.
Effective frequency range
4061 offers a wider effective frequency range than 2061, with tighter tolerances (±2 dB vs a widerspread ±3 dB with 2061).
SPL handling
4061 with its CORE technology offers even better SPL handling, with 1% THD at 137 dB peak and hereby wider dynamic range. 2061 has 128 dB peak.
Modularity
4061 is modular in contrast to 2061, which has a fixed cap and no MicroDot connector.
We have chosen to pack 2061 into a reusable and resealable pouch. This has a practical advantage for the user and allows us to focus on reducing the impact of packaging on the environment via re-use, recycling and less weight and volume when shipping the goods.
Beige and brown:
Black and white variants with accessories:
Yes. We have made a new clip, SCM0035, available in both black and white. Besides working with 2061, the new clip is also compatible with all 6060 and 6061 models. The new clip is included with the Black and White variants and can also be bought separately.
The new clip delivers on all points that are crucial in time-critical applications in a broadcast and content creation environment:
DPA SCM0035 offers the possibility of mic rotation, cable management and secure grip in combination with a small footprint.
SCM0035 Lavalier Microphone Clip holds the microphone at the strain relief. All DPA microphones that share the same strain relief are compatible with this clip. Compatible products include the following lavalier microphones:
The following accessories and spare parts are available for 2061:
While the SCM0017 or SCM0004 clips, and the DUA0571 fur windscreen for 4071 Omnidirectional Microphone, are compatible with the 2061, they may not provide optimal performance. In addition, the recently launched AIR1 Universal Miniature Fur Windscreen, is an integral accessory when using the 2061 in windy outdoor conditions.
Refresh your knowledge of the AIR1 on our website: https://www.dpamicrophones.com/accessories/air1-fur-windscreen
The 2061 Miniature Omnidirectional Microphone comes with 2 years’ limited warranty.
Read more about DPA’s warranty terms: https://www.dpamicrophones.com/warranty
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We have an extensive inventory of audio equipment for hire with competitive rates ready at a moment's notice. We pay the most meticulous attention to detail in our hire prep so you can travel to shoots with the peace of mind that you have everything you need.
For weekly rental, you can pick up your gear the day before your production shoot after 3:00pm, and return by 10:00am after your shoot day. In the case of 7 day rental, you will only be charged for 4 billing days.
If shipping is required, we require a two day minimum hire period, with a travel day inbetween.
Orders can be cancelled for free up to 24 hours before pick up date, any notice within 24 hours of the pick up date will be charged a prep fee of 25% of the total amount.
Customers will provide a certificate of insurance listing Everything Audio as "loss payee" and "additional insured".
