Monday - Friday 9:00AM - 5:30PM
Saturday - Sunday Closed
Everything Audio Ltd 7A, Elstree Film Studios Shenley Road Borehamwood Hertfordshire WD6 1JG
We stock a wide variety of mixer / recorders to suit any senario you may have out in the field, on-set or even at home! These products include audio recorders & mixers, fader panels, preamps and portable mixers.
Mixer / Recorders come in different sizes and configurations, from small handheld devices with a one or two channels, to sound bag-sized larger units with dozens of channels and some pretty advanced features.
These products are designed to be portable and easy to use, allowing sound professionals to capture and mix high-quality audio recordings on location with ease. They often include features such as timecode functionality, auto-mixing, 32bit float, and advanced routing options to provide maximum flexibility and control.
We offer a variety of different types of microphones, each with it's own unique characteristics and uses.
Shotgun microphones are commonly used for capturing dialogue, mounted on a boom-pole or a camera, while lavalier microphones are often used for their discreet size, making them great for hiding on talent, while still providing fantastic vocal clarity. Handheld microphones are useful for live performances and interviews, while boundary microphones can capture sound in larger spaces, such as conference rooms or in-car conversations.
Various microphone accessories can help with the environmental and acoustic issues while on location. We provide a wide array of wind protection and microphone suspensions to eliminate unwanted noise, allowing sound professionals to capture clear and quality audio that is critical to the success of any production.
Consumables are widely used in the film and TV industry, and are often overlooked, but are crucial for ensuring the smooth running of productions and the delivery of high-quality audio. Consumables are key items to minimise dialog replacement in post-production.
Tapes and adhesives are used to secure microphones and cables to actors and equipment. Straps and pouches to comfortably and safely mount wireless transmitters, while stickies provide a secure, invisible attachment for lavalier microphones. Noise dampening products help to reduce unwanted set noise such as footsteps, while cleaning and sanitation products keep equipment clean and hygienic. Finally, lavalier mounting and wind reduction solutions are used to minimize wind noise and keep lavalier microphones securely in place, and hidden.
Timecode solutions are a way to stay in sync. These products include timecode generators, sync boxes, slates, receivers, and purpose made cables that interface these products between cameras, wireless systems and recorders / mixers.
Timecode is a signal that assigns a unique time reference to each frame of video and audio, allowing for precise synchronization during post-production.
Timecode generators and slates are often used at the beginning of each take to ensure that all devices are in sync, while timecode receivers allow for wireless synchronisation of devices. Timecode equipment is also useful for post-production workflows, where it is used to synchronise footage from multiple cameras and audio recordings.
We stock a wide variety of powering solutions that are essential to the sound department for the film and TV industry. These products include rechargeable batteries, battery chargers, power supplies, and power distribution systems.
Soundies rely on these products to power their equipment, such as wireless systems, portable recorders, and mixers. High-quality batteries and power management systems ensure that sound professionals have a consistent and reliable power source throughout long shoots, allowing them to capture clear and uninterrupted audio.
With advancements in technology, many products in this category are now lighter and longer-lasting and even more environmentally friendly, thanks to higher capacity and rechargeable batteries.
Mix-16 is a full-featured intuitive control surface with 16 motorized, touch-sensitive faders on 5 active banks, for up to X assignable fader channels. It provides direct access to all recording and mixing controls including hardware trim controls, transport control, dedicated PFL keys, routing control, and more! It fits into a 19″ (48 cm) rack-mount to integrate perfectly with production sound carts and audio cabinets.
A standard USB 2.0 cable connects the Mix-16 to the Deva 24, Nomad or Nova.
Paired with Deva 24, the system delivers 24 track recording that can be controlled by 16 motorized faders in five banks found on the Mix-16. Any combination of input channels on Deva 24 can be assigned to any of the five banks using any combination of analog or digital inputs. This provides sound recordists with an integrated recording and mixing solution capable of solving a variety of workflows.
Each fader has a bright LED input meter and an input trim located at the top of the console with mix tracks one and two featuring two LED meters. The Mix-16 is equipped with a pre fader listen (PFL) monitoring system that allows you to listen to channel audio before the fader is closed.
Mix-16 has the ability to control the ZaxNet remote control function of the host recorder. Preamp gain adjustments can be sent directly to Zaxcom Digital Recording Wireless transmitters from the input control pots on the control surface during a live recording.
When using the GUI you gain instant access and editing of metadata via touch screen or keyboard, expanded metering, simple access to menus and matrices, cross points, and metadata entry, and a visual timecode slate with metadata.
Please note, in order to use the Touch Screen (or regular computer) interface you’ll need something to run the software GUI on, for now, there’s a version for Windows and Mac OS.
Mix-16 has a power consumption of 1.5 amps @ 12 volts (18 watts) and connects via Hirose. Speaking of power, be sure the GUI computer is compatible with your cart – many computers only run on 16 – 19 volts, and your cart will probably run on 12 volts, so you’ll need a power inverter to supply AC power to the computer.
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We have an extensive inventory of audio equipment for hire with competitive rates ready at a moment's notice. We pay the most meticulous attention to detail in our hire prep so you can travel to shoots with the peace of mind that you have everything you need.
For weekly rental, you can pick up your gear the day before your production shoot after 3:00pm, and return by 10:00am after your shoot day. In the case of 7 day rental, you will only be charged for 4 billing days.
If shipping is required, we require a two day minimum hire period, with a travel day inbetween.
Orders can be cancelled for free up to 24 hours before pick up date, any notice within 24 hours of the pick up date will be charged a prep fee of 25% of the total amount.
Customers will provide a certificate of insurance listing Everything Audio as "loss payee" and "additional insured".
