Monday - Friday 9:00AM - 5:30PM
Saturday - Sunday Closed
Everything Audio Ltd 7A, Elstree Film Studios Shenley Road Borehamwood Hertfordshire WD6 1JG
We stock a wide variety of mixer / recorders to suit any senario you may have out in the field, on-set or even at home! These products include audio recorders & mixers, fader panels, preamps and portable mixers.
Mixer / Recorders come in different sizes and configurations, from small handheld devices with a one or two channels, to sound bag-sized larger units with dozens of channels and some pretty advanced features.
These products are designed to be portable and easy to use, allowing sound professionals to capture and mix high-quality audio recordings on location with ease. They often include features such as timecode functionality, auto-mixing, 32bit float, and advanced routing options to provide maximum flexibility and control.
We offer a variety of different types of microphones, each with it's own unique characteristics and uses.
Shotgun microphones are commonly used for capturing dialogue, mounted on a boom-pole or a camera, while lavalier microphones are often used for their discreet size, making them great for hiding on talent, while still providing fantastic vocal clarity. Handheld microphones are useful for live performances and interviews, while boundary microphones can capture sound in larger spaces, such as conference rooms or in-car conversations.
Various microphone accessories can help with the environmental and acoustic issues while on location. We provide a wide array of wind protection and microphone suspensions to eliminate unwanted noise, allowing sound professionals to capture clear and quality audio that is critical to the success of any production.
Consumables are widely used in the film and TV industry, and are often overlooked, but are crucial for ensuring the smooth running of productions and the delivery of high-quality audio. Consumables are key items to minimise dialog replacement in post-production.
Tapes and adhesives are used to secure microphones and cables to actors and equipment. Straps and pouches to comfortably and safely mount wireless transmitters, while stickies provide a secure, invisible attachment for lavalier microphones. Noise dampening products help to reduce unwanted set noise such as footsteps, while cleaning and sanitation products keep equipment clean and hygienic. Finally, lavalier mounting and wind reduction solutions are used to minimize wind noise and keep lavalier microphones securely in place, and hidden.
Timecode solutions are a way to stay in sync. These products include timecode generators, sync boxes, slates, receivers, and purpose made cables that interface these products between cameras, wireless systems and recorders / mixers.
Timecode is a signal that assigns a unique time reference to each frame of video and audio, allowing for precise synchronization during post-production.
Timecode generators and slates are often used at the beginning of each take to ensure that all devices are in sync, while timecode receivers allow for wireless synchronisation of devices. Timecode equipment is also useful for post-production workflows, where it is used to synchronise footage from multiple cameras and audio recordings.
We stock a wide variety of powering solutions that are essential to the sound department for the film and TV industry. These products include rechargeable batteries, battery chargers, power supplies, and power distribution systems.
Soundies rely on these products to power their equipment, such as wireless systems, portable recorders, and mixers. High-quality batteries and power management systems ensure that sound professionals have a consistent and reliable power source throughout long shoots, allowing them to capture clear and uninterrupted audio.
With advancements in technology, many products in this category are now lighter and longer-lasting and even more environmentally friendly, thanks to higher capacity and rechargeable batteries.
Nova 2 is an updated version of our Nova complete sound solution. Nova 2 is a mixer, a recorder, ZaxNet remote control and has two built-in wireless receiver slots – all in one compact and lightweight device. Fully loaded with 2 slot-in receivers Nova 2 can receive up to 8 transmitter signals, weighs less than 4lbs, and is the smallest, neatest, most complete portable sound package on the market today.
A fully loaded Nova 2 provides unmatched features and sonic performance in an industry leading package weighing only 1.58 kg (3lbs, 8oz). Nova has built-in RF filtering, distribution, amplification, metering, and ZaxNet remote control. Slot-in receivers increase reliability since there’s almost no external wiring – you can build a Nova kit into the tiniest, lightest sound bag.
The Nova 2 has 16 digital inputs that can be used either with or without the internal receivers.
You can use either 16 x external AES digital inputs (8 pairs) or 8 x external AES digital inputs (4 pair) and the 8 x internal AES inputs via the built-in receiver slots.
When you’re using the internal receivers you can output them as AES direct outputs from the Nova 2.
The external AES sample rate converting inputs can be used to connect 2 x AES42 microphones or to connect to any external wireless receivers.
On the analog side, Nova 2 features 4 XLR mic/line NeverClip inputs with 48V phantom power and 2 x line level balanced inputs.
Nova 2 has 8 output busses plus the headphone output
Nova 2’s graphical user interface is intuitive and simple. All buttons and knobs are ergonomically spaced to avoid embarrassing accidental bumps or jogs. The LCD screen paired with 6 dynamic push buttons provides easy menu navigation that can be operated even while wearing gloves, giving you as much flexibility as a touch screen.
When is a fader not just a fader…? When it’s an infinity encoder! An infinity encoder is a fader knob that turns continuously with no end points. It looks like there are only five faders on Nova, but each of these five faders has three functions and can be on any one of five banks – so really, you have 75 functions accessible at the push of a button. The three functions are: fader levels, input trim, and Zaxnet gain. A patented ring of colored LED’s around the outside of each fader shows you its ‘position’ and audio level, and the color shows you which bank it’s on.
Nova 2 can record up to 16 channels of audio with 24-bit depth. Sample rates include 44.1, 47.952, 48, and 48.048. Audio can be recorded individually or simultaneously on two Compact Flash Cards. Primary card files are recorded as MARF II, a lossless fault tolerant recording format, and mirror card files can be recorded as Broadcast Wave files (BWF).
The Nova 2 Automixer can mix up to 18 inputs for you automatically. The automixer is based on industry-standard algorithms and improves on other devices by including a downward expander on each input to minimise the noise contribution from inactive channels. The result is a clean mix with a constant noise floor. The Nova automixer can be your invisible friend when things get a bit “unscripty”.
Each NeverClip™ analog input has a dual A-D converter to increase the dynamic range recorded on Nova 2 to 140dB. With NeverClip™, there’s no compressor, limiter or bad gain staging distortion. This is because the 24 bit ISO files are recorded with an extra 24 dB of headroom to accommodate the enhanced dynamic range.
There are two receiver slots for optional module receivers – MRX414, MRX214 or QRX212. When installed, all connections are made internally. Each MRX414 receiver module can receive audio from up to 4 separate transmitters. The MRX214 and QRX212 can receive audio from up to 2 separate transmitters in mono or stereo mode for up to 4 channels of wireless audio. These module receivers are the same ones used with the RX-12 and RX-12R and are interchangeable back and forth with the Nova.
The MRX414, MRX214, and QRX212 modules are hot-swappable and can be added or removed in any combination at any time. With 2 x MRX414 receiver modules the Nova 2 is capable of receiving up to 8 separate transmitters.
Nova 2 has an automatic tracking front-end filter and RF distribution (a built-in MicPlexer) so you can receive on any frequency in any block from 20 through 26 (512-698MHz) with impressive range. Here’s how that works – the filter allows signals within the 35 MHz tunable window into the receiver while blocking the interfering high-level signals outside this window. The nerds call this desensing. We let the good stuff in (your radio mic transmitters) and we keep the bad stuff out (walkie-talkies, the follow focus, etc.). Think of it like the bouncer outside a nightclub.
The module receivers are fully integrated into the Nova 2. When a frequency is changed, both the receiver channel and the transmitters on the talent are changed at the same time. When frequency scans are initiated, all transmitters on talent are put in non-transmission mode so an accurate scan can be done. Once the scan is complete all transmitters and receivers can be assigned to clean frequencies instantly with the touch of a single button.
When used with Zaxcom digital recording wireless transmitters, the wireless functions as a virtual multitrack recording system using our audition and re-record function. You can re-play, re-mix and re-record a take on Nova using audio played back from the digital recording wireless transmitters’ internal memory cards. Transmitter memory cards never need to be removed in order to recover lost audio.
ZaxNet remote control gives the ability to adjust transmitter settings remotely from the Nova, so you never need to disturb talent. Settings include frequency, preamp gain, output power, and transport controls (play, record and stop) on Zaxcom digital recording wireless transmitters.
The timecode is wirelessly jammed to every transmitter via ZaxNet. The transmitter’s timecode is always perfectly in sync with sub-frame accuracy. Any change to the master timecode is always instantly reflected in each digital recording wireless transmitter.
Nova 2 uses two power inputs for redundant operation. The Nova will run from 8V-18VDC and draws only 1.1 Amps with 8 channels of internal receiver. The reason Nova’s primary card records in our proprietary MARF (Mobile Audio Recording Format) file system is that it tolerates intermittent power without file corruption so only a single power source is required.
The Nova 2 has been designed to make basic repairs field serviceable. In Nova 2, both the memory card interface and the IFB transmitter are plug-in modules. In past recorders, the most common faults we’ve seen in the shop were bent CF connection pins and damaged IFB antenna connections. In Nova all you need to perform a repair is a screwdriver.
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We have an extensive inventory of audio equipment for hire with competitive rates ready at a moment's notice. We pay the most meticulous attention to detail in our hire prep so you can travel to shoots with the peace of mind that you have everything you need.
For weekly rental, you can pick up your gear the day before your production shoot after 3:00pm, and return by 10:00am after your shoot day. In the case of 7 day rental, you will only be charged for 4 billing days.
If shipping is required, we require a two day minimum hire period, with a travel day inbetween.
Orders can be cancelled for free up to 24 hours before pick up date, any notice within 24 hours of the pick up date will be charged a prep fee of 25% of the total amount.
Customers will provide a certificate of insurance listing Everything Audio as "loss payee" and "additional insured".
