Monday - Friday 9:00AM - 5:30PM
Saturday - Sunday Closed
Everything Audio Ltd 7A, Elstree Film Studios Shenley Road Borehamwood Hertfordshire WD6 1JG
We stock a wide variety of mixer / recorders to suit any senario you may have out in the field, on-set or even at home! These products include audio recorders & mixers, fader panels, preamps and portable mixers.
Mixer / Recorders come in different sizes and configurations, from small handheld devices with a one or two channels, to sound bag-sized larger units with dozens of channels and some pretty advanced features.
These products are designed to be portable and easy to use, allowing sound professionals to capture and mix high-quality audio recordings on location with ease. They often include features such as timecode functionality, auto-mixing, 32bit float, and advanced routing options to provide maximum flexibility and control.
We offer a variety of different types of microphones, each with it's own unique characteristics and uses.
Shotgun microphones are commonly used for capturing dialogue, mounted on a boom-pole or a camera, while lavalier microphones are often used for their discreet size, making them great for hiding on talent, while still providing fantastic vocal clarity. Handheld microphones are useful for live performances and interviews, while boundary microphones can capture sound in larger spaces, such as conference rooms or in-car conversations.
Various microphone accessories can help with the environmental and acoustic issues while on location. We provide a wide array of wind protection and microphone suspensions to eliminate unwanted noise, allowing sound professionals to capture clear and quality audio that is critical to the success of any production.
Consumables are widely used in the film and TV industry, and are often overlooked, but are crucial for ensuring the smooth running of productions and the delivery of high-quality audio. Consumables are key items to minimise dialog replacement in post-production.
Tapes and adhesives are used to secure microphones and cables to actors and equipment. Straps and pouches to comfortably and safely mount wireless transmitters, while stickies provide a secure, invisible attachment for lavalier microphones. Noise dampening products help to reduce unwanted set noise such as footsteps, while cleaning and sanitation products keep equipment clean and hygienic. Finally, lavalier mounting and wind reduction solutions are used to minimize wind noise and keep lavalier microphones securely in place, and hidden.
Timecode solutions are a way to stay in sync. These products include timecode generators, sync boxes, slates, receivers, and purpose made cables that interface these products between cameras, wireless systems and recorders / mixers.
Timecode is a signal that assigns a unique time reference to each frame of video and audio, allowing for precise synchronization during post-production.
Timecode generators and slates are often used at the beginning of each take to ensure that all devices are in sync, while timecode receivers allow for wireless synchronisation of devices. Timecode equipment is also useful for post-production workflows, where it is used to synchronise footage from multiple cameras and audio recordings.
We stock a wide variety of powering solutions that are essential to the sound department for the film and TV industry. These products include rechargeable batteries, battery chargers, power supplies, and power distribution systems.
Soundies rely on these products to power their equipment, such as wireless systems, portable recorders, and mixers. High-quality batteries and power management systems ensure that sound professionals have a consistent and reliable power source throughout long shoots, allowing them to capture clear and uninterrupted audio.
With advancements in technology, many products in this category are now lighter and longer-lasting and even more environmentally friendly, thanks to higher capacity and rechargeable batteries.
The RX-8 is an extremely small 8-channel receiver interface for your bag or cart. Accepting audio from up to 8 separate transmitters, the RX-8 contains a built-in MicPlexer with antenna distribution and front-end filter for eliminating interference from unwanted RF. It is the smallest 8-channel radio mic receiver system in the world!
An optional Dante interface with Power over Ethernet (PoE) facilitates remote location and control.
RX-8 can output 8 channels of analog or AES digital audio at 0 dB line-level on the DB25 connector. The RS422 connector pairs with a TRXCL4 or IFB300 to share the ZaxNet remote control commands. It has two SMA RF loop throughs for additional antenna distribution.
When the RX-8 is remoted on set you can send up to 16 channels of audio over Dante back to the sound cart, 8 originating from the RX-8 itself and 8 more via 4 AES pairs connected to the DB25.
When the RX-8 is remoted on set there is the option to send 4 channels of balanced analog audio from the sound cart to the set via Dante. The audio can be used for IFB, VOG, or monitoring. One of the audio channels can optionally be used to send timecode to the set. The timecode will then be output on the BNC connector on the RX-8 and can be used to jam slates or connect to a ZaxNet transmitter on set.
The RX-8 receives up to eight channels of audio from eight separate transmitters when loaded with 2 x MRX414 slot-in receiver modules.
The RX-8 has a front-end filter, so you can receive on any frequency in any block from 20 through 26 (512-698MHz) with impressive range. Here’s how that works – the filter allows signals within the 35 MHz tunable window into the receiver while blocking the interfering high-level signals outside this window. We let the good stuff in (your radio mic transmitters) and we keep the bad stuff out (walkie-talkies, the follow focus, vampires, etc.). Think of it like the bouncer outside a nightclub.
The RX-8’s built-in MicPlexer gives you an additional 3dB of RF amplification and antenna distribution for the two internal MRX slot-in receiver modules and additional receiver channels connected to the RF output connectors of the RX-8.
The MRX214 and MRX414 modules are hot-swappable and can be added or removed in any combination at any time, making the RX-8 highly flexible for when receiver requirements can change on a daily basis.
The RX-8 receives a 100% digital signal that is fully encrypted and is compatible with all Zaxcom modulations and transmitters.
Four OLED displays contain the menus for each receiver pair and tactile pushbuttons make receiver selection and toggling through menus a breeze. The built-in frequency scanner and Auto-Pick software eliminates the guesswork and can coordinate and choose the best frequencies with a push of a button.
The RX-8 is powered via a standard 12V Hirose connector.With Dante, the RX-8 can be powered via the 12v input or remotely via power over ethernet (PoE). There’s also a 12v power output that supplies up to 1 amp for external receivers and transmitters when receiving PoE.
The 12V power Hirose input is a backup for the POE connection with seamless switching in the case of a PoE power issue.
The RX-8’s built-in frequency scanner and Auto-Pick software can scan the RF spectrum and choose the best receiver frequencies. Using ZaxNet™, when paired with an IFB300 or TRXCL4, the RX-8 can re-freq transmitters to match it with just the touch of a button. This combo also lets you make quick and easy transmitter gain adjustments.
The groundbreaking RX-8 with Dante opens new frontiers of remote receiver control that has only been dreamt of in the past.
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We have an extensive inventory of audio equipment for hire with competitive rates ready at a moment's notice. We pay the most meticulous attention to detail in our hire prep so you can travel to shoots with the peace of mind that you have everything you need.
For weekly rental, you can pick up your gear the day before your production shoot after 3:00pm, and return by 10:00am after your shoot day. In the case of 7 day rental, you will only be charged for 4 billing days.
If shipping is required, we require a two day minimum hire period, with a travel day inbetween.
Orders can be cancelled for free up to 24 hours before pick up date, any notice within 24 hours of the pick up date will be charged a prep fee of 25% of the total amount.
Customers will provide a certificate of insurance listing Everything Audio as "loss payee" and "additional insured".
