Monday - Friday 9:00AM - 5:30PM
Saturday - Sunday Closed
Everything Audio Ltd 7A, Elstree Film Studios Shenley Road Borehamwood Hertfordshire WD6 1JG
We stock a wide variety of mixer / recorders to suit any senario you may have out in the field, on-set or even at home! These products include audio recorders & mixers, fader panels, preamps and portable mixers.
Mixer / Recorders come in different sizes and configurations, from small handheld devices with a one or two channels, to sound bag-sized larger units with dozens of channels and some pretty advanced features.
These products are designed to be portable and easy to use, allowing sound professionals to capture and mix high-quality audio recordings on location with ease. They often include features such as timecode functionality, auto-mixing, 32bit float, and advanced routing options to provide maximum flexibility and control.
We offer a variety of different types of microphones, each with it's own unique characteristics and uses.
Shotgun microphones are commonly used for capturing dialogue, mounted on a boom-pole or a camera, while lavalier microphones are often used for their discreet size, making them great for hiding on talent, while still providing fantastic vocal clarity. Handheld microphones are useful for live performances and interviews, while boundary microphones can capture sound in larger spaces, such as conference rooms or in-car conversations.
Various microphone accessories can help with the environmental and acoustic issues while on location. We provide a wide array of wind protection and microphone suspensions to eliminate unwanted noise, allowing sound professionals to capture clear and quality audio that is critical to the success of any production.
Consumables are widely used in the film and TV industry, and are often overlooked, but are crucial for ensuring the smooth running of productions and the delivery of high-quality audio. Consumables are key items to minimise dialog replacement in post-production.
Tapes and adhesives are used to secure microphones and cables to actors and equipment. Straps and pouches to comfortably and safely mount wireless transmitters, while stickies provide a secure, invisible attachment for lavalier microphones. Noise dampening products help to reduce unwanted set noise such as footsteps, while cleaning and sanitation products keep equipment clean and hygienic. Finally, lavalier mounting and wind reduction solutions are used to minimize wind noise and keep lavalier microphones securely in place, and hidden.
Timecode solutions are a way to stay in sync. These products include timecode generators, sync boxes, slates, receivers, and purpose made cables that interface these products between cameras, wireless systems and recorders / mixers.
Timecode is a signal that assigns a unique time reference to each frame of video and audio, allowing for precise synchronization during post-production.
Timecode generators and slates are often used at the beginning of each take to ensure that all devices are in sync, while timecode receivers allow for wireless synchronisation of devices. Timecode equipment is also useful for post-production workflows, where it is used to synchronise footage from multiple cameras and audio recordings.
We stock a wide variety of powering solutions that are essential to the sound department for the film and TV industry. These products include rechargeable batteries, battery chargers, power supplies, and power distribution systems.
Soundies rely on these products to power their equipment, such as wireless systems, portable recorders, and mixers. High-quality batteries and power management systems ensure that sound professionals have a consistent and reliable power source throughout long shoots, allowing them to capture clear and uninterrupted audio.
With advancements in technology, many products in this category are now lighter and longer-lasting and even more environmentally friendly, thanks to higher capacity and rechargeable batteries.
The QRX235 is a Block specific ENG style receiver with QIFB, a built-in 2.4GHz ZaxNet IFB transmitter. The built-in filtering and enhanced receiver design give it maximum sensitivity and a low noise floor.
QRX235 is successor to the QRX100 boasting significantly enhanced distance and range.
QRX235 can output AES digital audio or analog audio at -35dB mic level, -10dB consumer level, or 0dB line level on 2 x TA5 connectors. IFB audio is input via an 1/8″ (3.5mm) stereo mini jack. Timecode I/O is also on an 1/8″ (3.5mm) stereo mini jack. The two serial loop USB connectors are for connecting to ZaxMote or other QRX200’s to share the QIFB remote control feature.
The QRX235 receives up to four channels of audio from two separate transmitters. You can use it with any combination of mono and stereo UHF transmitters we make, but it’s most often paired with our TRXCL3 for a full confidence monitor return with or without timecode.
The QRX235 with QIFB is block specific, this means it receives on its designated frequency window and all other interfering high-level signals outside this frequency space will be blocked out. The nerds call this desensing. We let the good stuff in (your radio mic transmitters) and we keep the bad stuff out (walkie talkies, the follow focus, etc.). Think of it like the bouncer outside a nightclub.
The ZaxNet QIFB option is available in the QRX235 – The QIFB allows you to send or receive ZaxNet audio and timecode, as well as TRX commands from your QRX235.
The built-in QIFB give you full ZaxNet capabilities – sending audio, timecode and transmitter remote control commands right from your QRX235. Be sure to check out ZaxMote.
You can even share the love with your other receivers… If you had 2 x QRX200’s, you could hook them up to a QRX235 and whenever you change the frequency on any of your receivers it will use the QIFB in the QRX235 to remotely change the matching transmitter frequency.
The QRX235 / TRXCL3 Camera Link combo gives you a total confidence loop, it receives audio and timecode and sends it right back! From your sound bag or card you’re sending two channel of 100% digital audio with embedded SMTPE timecode, from the camera you’re sending yourself back
Ultra bright patented multi-colored side mounted LED’s give you visual conformation that RF and audio are making it to the camera. The 12 multi-colored LEDs are recessed into the side of the QRX235 and visible with the QRX235 mounted in its Zaxcom camera mount . They can be seen from quite a distance even in bright sunlight.
The QRX235 comes in a single frequency block between 20 and 26. Block choices for the QRX235 ENG Receiver:
(Blocks 24 – 26 are no longer available for sale or use in the USA)
The QRX235 is powered externally via any power source 9 to 18 volts on a single Switchcraft 760k connector.
Zaxcom Digital Wireless is protected under patent #’s: 7,711,443, 7,929,902 & D608,339
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We have an extensive inventory of audio equipment for hire with competitive rates ready at a moment's notice. We pay the most meticulous attention to detail in our hire prep so you can travel to shoots with the peace of mind that you have everything you need.
For weekly rental, you can pick up your gear the day before your production shoot after 3:00pm, and return by 10:00am after your shoot day. In the case of 7 day rental, you will only be charged for 4 billing days.
If shipping is required, we require a two day minimum hire period, with a travel day inbetween.
Orders can be cancelled for free up to 24 hours before pick up date, any notice within 24 hours of the pick up date will be charged a prep fee of 25% of the total amount.
Customers will provide a certificate of insurance listing Everything Audio as "loss payee" and "additional insured".
