Monday - Friday 9:00AM - 5:30PM
Saturday - Sunday Closed
Everything Audio Ltd 7A, Elstree Film Studios Shenley Road Borehamwood Hertfordshire WD6 1JG
We stock a wide variety of mixer / recorders to suit any senario you may have out in the field, on-set or even at home! These products include audio recorders & mixers, fader panels, preamps and portable mixers.
Mixer / Recorders come in different sizes and configurations, from small handheld devices with a one or two channels, to sound bag-sized larger units with dozens of channels and some pretty advanced features.
These products are designed to be portable and easy to use, allowing sound professionals to capture and mix high-quality audio recordings on location with ease. They often include features such as timecode functionality, auto-mixing, 32bit float, and advanced routing options to provide maximum flexibility and control.
We offer a variety of different types of microphones, each with it's own unique characteristics and uses.
Shotgun microphones are commonly used for capturing dialogue, mounted on a boom-pole or a camera, while lavalier microphones are often used for their discreet size, making them great for hiding on talent, while still providing fantastic vocal clarity. Handheld microphones are useful for live performances and interviews, while boundary microphones can capture sound in larger spaces, such as conference rooms or in-car conversations.
Various microphone accessories can help with the environmental and acoustic issues while on location. We provide a wide array of wind protection and microphone suspensions to eliminate unwanted noise, allowing sound professionals to capture clear and quality audio that is critical to the success of any production.
Consumables are widely used in the film and TV industry, and are often overlooked, but are crucial for ensuring the smooth running of productions and the delivery of high-quality audio. Consumables are key items to minimise dialog replacement in post-production.
Tapes and adhesives are used to secure microphones and cables to actors and equipment. Straps and pouches to comfortably and safely mount wireless transmitters, while stickies provide a secure, invisible attachment for lavalier microphones. Noise dampening products help to reduce unwanted set noise such as footsteps, while cleaning and sanitation products keep equipment clean and hygienic. Finally, lavalier mounting and wind reduction solutions are used to minimize wind noise and keep lavalier microphones securely in place, and hidden.
Timecode solutions are a way to stay in sync. These products include timecode generators, sync boxes, slates, receivers, and purpose made cables that interface these products between cameras, wireless systems and recorders / mixers.
Timecode is a signal that assigns a unique time reference to each frame of video and audio, allowing for precise synchronization during post-production.
Timecode generators and slates are often used at the beginning of each take to ensure that all devices are in sync, while timecode receivers allow for wireless synchronisation of devices. Timecode equipment is also useful for post-production workflows, where it is used to synchronise footage from multiple cameras and audio recordings.
We stock a wide variety of powering solutions that are essential to the sound department for the film and TV industry. These products include rechargeable batteries, battery chargers, power supplies, and power distribution systems.
Soundies rely on these products to power their equipment, such as wireless systems, portable recorders, and mixers. High-quality batteries and power management systems ensure that sound professionals have a consistent and reliable power source throughout long shoots, allowing them to capture clear and uninterrupted audio.
With advancements in technology, many products in this category are now lighter and longer-lasting and even more environmentally friendly, thanks to higher capacity and rechargeable batteries.
A1B1: 470 - 614MHzB1C1: 567 - 691MHz961: 961 - 1014MHz
The DSR4 digital receiver provide the highest level of RF and audio performance available with a versatile feature set in a compact design for camera mounted applications. Settings can be made from the front panel, making the unit ideal for use in camera hop configurations, in bags and on sound carts. An RF spectrum analyzer and SmartTune are built into the receivers to alleviate interference problems in an increasingly congested RF spectrum.
The mechanical design of the receivers fits into the SuperSlot ecosystem and combines field-proven features developed over many years of experience in motion picture and television production. To decrease weight, the DSR provide a two channel receiver in one unit powered by external DC. The receivers are also equipped with an IR port for data transfer between units. The machined aluminum housing and panels are surfaced with a hard-anodized finish with laser etched markings to withstand the rigors of field production.
The RF gain stages in the front end use a newly developed design to provide low noise RF amplification, excellent sensitivity and extremely low susceptibility to intermodulation and de-sensitization.
An ideal diversity system constructively combines all the energy available at both antennas. The DSR4 offers two diversity options: for 4-channel operation, each channel combines signals from both antennas in or out of phase, depending on field strength at each antenna and which combination yields the best results. For 2-channel operation, receivers can be paired for Vector Diversity operation. The Vector subsystem smoothly and continuously combines RF signals from both channels, with differing phase angles in order to obtain maximum energy. The four receivers in the DSR4 can be use separately or combined in pairs.
The DSR4 offers compatibility with the D-Squared and Duet digital transmitters, including the DBu, DHu, DPr, DBSM, DCHT, and M2T, and backward compatibility with any Digital Hybrid Wireless® transmitters including the SM and SMWB series, WM, HM Series, MM400 Series, HH Series, LT, LMb, UM400 Series, and SSM.
With a noise floor at -120 dBV and a frequency response to 20 kHz, high frequency noise in the source audio is more apparent than in conventional wireless systems. The SmartNR algorithm has three modes. When OFF, no noise reduction is performed. When NORMAL is selected, enough noise reduction is applied to remove most of the hiss from the mic preamp and some of the hiss from lavaliere microphones. When FULL is selected, enough noise reduction is applied to remove most of the hiss from nearly any signal source of reasonable quality, assuming levels are set correctly at the transmitter.
A1: 470 - 537 MHzB1: 537 - 614 MHzB2: 563 - 640 MHzC1: 614 - 691 MHz
The SSM transmitter is ideal in theatrical or any other production where concealment in costuming is required. In spite of its tiny size, the transmitter offers an extensive feature set and performance on par with all of the Digital Hybrid Wireless® models.
Frequencies are selectable in 100 kHz or 25 kHz steps across a maximum tuning range of 76.7 MHz. This yields a total of 3072 available frequencies across three standard frequency blocks. The tuning range varies in other blocks to meet applicable frequency allocations.
The servo bias input accepts mic or line level signals with a wide range of gain adjustment in 1 dB steps. Accurate LED indications on the keypad allow precise gain adjustments to be made for the maximum signal to noise ratio and minimum distortion. The limiter in the preamp can cleanly handle signal peaks over 30 dB above full modulation, allowing the input gain to be set high enough to achieve the maximum signal to noise ratio, yet provide protection against input overload.
Compatibility with earlier analog Lectrosonics receivers, Lectrosonics IFB receivers and some receivers from other manufacturers is provided by DSP emulation modes selected in the LCD menu.
This kit includes an output and power panel with two TA5 male, five balanced output pairs and a power jack with a locking connector.
3 x Screws are provided (1 is a spare) to fix the bottom plate to the unit. Also includes an approximately 180cm (6ft) power cable featuring a right-angled DC locking jack to bare ends.
If you would like this cable custom terminated, we can provide this via our in-house custom cable department, please contact our sales team for a custom quote.
Be the first to Write a Review for this item!
We have an extensive inventory of audio equipment for hire with competitive rates ready at a moment's notice. We pay the most meticulous attention to detail in our hire prep so you can travel to shoots with the peace of mind that you have everything you need.
For weekly rental, you can pick up your gear the day before your production shoot after 3:00pm, and return by 10:00am after your shoot day. In the case of 7 day rental, you will only be charged for 4 billing days.
If shipping is required, we require a two day minimum hire period, with a travel day inbetween.
Orders can be cancelled for free up to 24 hours before pick up date, any notice within 24 hours of the pick up date will be charged a prep fee of 25% of the total amount.
Customers will provide a certificate of insurance listing Everything Audio as "loss payee" and "additional insured".
